It is a small plant delicately branched and tapering conically to a point, each branch and the peak a wire for green pods, blind lanterns starting upward from the stalk each way to a pair of prickly edged blue flowerets: it is her regard, a little plant without leaves, a finished thing guarding its secret. Blue eyes— but there are twenty looks in one, alike as forty flowers on twenty stems—Blue eyes a little closed upon a wish achieved and half lost again, stemming back, garlanded with green sacks of satisfaction gone to seed, back to a straight stem—if one looks into you, trumpets—! No. It is the pale hollow of desire itself counting over and over the moneys of a stale achievement. Three small lavender imploring tips below and above them two slender colored arrows of disdain with anthers between them and at the edge of the goblet a white lip, to drink from—! And summer lifts her look forty times over, forty times over—namelessly.-William Carlos Williams
William Carlos Williams has always been known as an experimenter, an innovator, a revolutionary figure in American poetry. Yet in comparison to artists of his own time who sought a new environment for creativity as expatriates in Europe, Williams lived a remarkably conventional life. A doctor for more than forty years serving the New Jersey town of Rutherford, he relied on his patients, the America around him, and his own ebullient imagination to create a distinctively American verse. Often domestic in focus and "remarkable for its empathy, sympathy, its muscular and emotional identification with its subjects," Williams's poetry is also characteristically honest
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